Black is Sexy - The New Canon G11

And so is the new Canon Powershot G11...

I have been looking for a new high-end rangefinder type of digicam. There are a lot of times that I don't always want to use a DSLR, or I am out shooting film cameras, and a pocketable digital camera would be a good asset. I used to own a Canon Powershot A570, and although there was much to like about it, it was a pain to use it manually, what with all the menus. On top of that, it was a small camera, and I found the small buttons a bit bothersome at times. In addition, the start-up was slow, and I eventually replaced it with a Fuji Finepix S700. I gave the Fuji away to a deserving photographer, and replaced it with a used Nikon Coolpix 8700. A good digicam for doing many things, but it's not really compact...and it's slow. I love it for doing ebay shots.

So, after I had sold off a bunch of photographic items, and amassed a nice Paypal balance, I started looking at reviews of higher-end point and shoots, as well as the new Olympus EP-1. I had forgotten about Canon's lineup. As tempting as the Olympus camera is, I don't like the lack of an optical viewfinder, and the camera and lens would have set me back $900. That's real money. Not as much as the drool-inducing Leica M9, but that's not even something I could aspire to afford. So, I started looking around a bit more, and the new Canon G11 really appealed to me. I liked the idea of it being only 10 megapixels, the flip-out LCD screen, the optical viewfinder, and the CONTROLS. Real twisty dials to set ISO, exposure compensation, mode, and the 28-140mm (35mm equivalent) zoom fits perfectly in most of my shooting. So, I ordered one from Beach Camera (and they take Paypal!), and it was at my door in 2 days, with free FedEx shipping! It came yesterday, and and after I charged the battery and reviewed the manual, I was ready to fire away.
First impressions:

• LCD image is awesome!
• Easy to navigate menus and options
• ISO dial, exposure comensation and mode dials are metal, and bring back the build one expects in a good rangefinder camera
• I like the built-in ND filter
• Lightweight, yet feels like I have a real camera in my hands
• I can use an external flash...and results are very good
• Optical viewfinder is pretty good... certainly not 100%, but I can use it for street shots.
• Colors and clarity are very, very good.

This is certainly an expensive (for me) "point and shoot". At $499, it's obviously the top of the line in Canon's P&S stable. The difference between it and the Canon A570IS that I used to have is easily seen. There is a reason why the G10 became a favorite camera of many pros, and it's obvious that the G11 has improved on its predecessor. Canon did something almost unheard of -- they reduced the megapixel count from the previous iteration, and by all accounts I have read, it has increased the quality of the images at higher ISOs. So far, I have barely put 200 shots through the camera, so future shots will be taken at higher ISOs.

I'll be giving the camera a more thorough workout, but today, I took it on a walk in Parker Mill County Park and found it a lot of fun to use. Next time I'll bring a tripod to try out that ND filter the way it should be used... long exposures of moving water.

Praktica Makes Perfect

I worked all day yesterday at the Michigan Photographic Historical Society's (MiPHS) sale tables, and sold a ton of stuff for the Society. I didn't venture out and about the floor at the Royal Oak Elks Lodge all that much, so I don't have a report on what interesting items were at the sale. I did however, stop at one table where the vendor had a box of several Praktica SLRs. These cameras were all made in post-war East Germany by K.W. (I'm not going to spell it out, but you can look it up), which was later absorbed into Pentacon VEB. The Praktica FX3 was made between 1956 and 1959, and lacks an instant-return mirror. It has a M-42 lens mount, and shutter speeds from B- 1/500 sec. As you can see here, it has a "waist-level" (WLF) viewfinder. Not the most Praktical way to photograph with 35mm, but it works. I decided that I had to have the Praktica, as they have always intriqued me, and it was in good working condition, or at least it seemed to be. The lens is a Carl Zeiss Jena Tessar 50mm 2.8.

Anyhow, I cleaned up the camera last night and took it out today and shot a roll of Kodak Gold 100. The WLF takes some getting used to (though my first SLR in 1974 was an Exa IIa, and it had a WLF), and I am sure bifocals don't exactly help. Of course, you have to wind the film to reset the mirror. One one hand, the WLF should be good for street photography, since it is not obvious what you are photographing. On the other, it sucks for vertical shots.

I dropped off the film earlier this evening at Walgreens, and picked up the CD an hour later. I'm impressed not only with the sharpness of the images, but my sunny-16 metering skills haven't diminished (ha! you say, yeah but it was C-41 print film...). I have a few other M42 lenses to try out with it, but the Tessar is a good lens to stick with.

A street vendor at the edge of campus.


A Ginkgo tree at the Museum:


A look at Cobblestone Farm:


The front door there:


Overall, I'm impressed with the results. It'll be a challenge shooting with this camera, since the WLF does take some time to get used to and adjusting the focus really requires use of the pop-down magnifier. On the other hand, using f/16 and prefocusing for street photography should yield some interesting images.

A woodsy walk soothes the psyche

Today was perhaps one of the nicest days all month. October has been chilly and often damp this year, and there haven't been all that many days when it has been without a chill. I took a hike over to Nichols Arboretum for a long lunch, and shot a roll of Kodak Gold 100 with my Nikon FG. There are not than many reds in the woods at the Arb, but there are lots of yellows. I had a good time traipsing around and realized that I should throw out the crappy tripod I keep at work and bring in one of my better ones.

Nonetheless, it was better than no tripod at all, and I took some fun photographs. I stopped at Walgreens after work, dropped off the film, went next door and browsed books at Barnes and Noble, and went back and picked up my developed and scanned film.

Fun With Sun

I was surprised when I walked into the local Barnes and Noble bookstore a few weeks ago and saw a cyanotype printing kit by the front door. Cyanotypes are one of the oldest alternative photographic processes that are easily done, and combined with modern digital techniques, remain an accessible way to make original art from photographs (more on that later). You might have seen the original "Sunprint" kits in catalogs or in gift shops. The kits were really nothing more than a dozen sheets of 4x4" blueprint paper, a rectangle of acrylic, and a sheet of instructions for making prints. I used larger sheets years ago when I did a workshop with 4-H kids.

So, I purchased this attractively packaged kit for $14.99 (it was less with my B&N discount card), and opened it up after I got home. It's a nice little introduction to cyanotypes, and what sets it apart from the "Sunprints" package is the included book by Kate Marlowe. Sun Exposures, A guide to Low-Tech Photography is a nice introduction to photograms, alternate processes, and low-tech cameras, such as pinholes. I was surprised by the small book, and it's obvious that this kit would make a nice gift for budding photographers and anyone that enjoys the hands-on of DIY photography.


The kit includes the book, sheets of cyanotype paper, and acetate overlays to create some different photograms. The back of the book has a list of resources and suppliers for those that want to do more with cyanotypes and other photographic techniques. I think it's $15 well-spent.

You don't need to just use some flat objects to make photograms to have fun with cyanotypes. You can shoot digital and use a graphics program to make a digital negative, which you print on overhead transparency film (denser negatives work better) and then use that to produce a positive cyanotype. Or, you can scan in a film negative and do the same. Or, you can find antique glass photographic plates and make prints from them on the cyanotype paper. Of course, larger negatives = better prints. Anything larger than a medium format negative (6x6 cm) will be suitable.

The other beauty of cyanotypes is that if you use blueprint paper, all you need is water to process them. No darkroom needed. Cyanotypes remain a viable artform, and you only need to go to the Alternative Photography website to view some nice work. The Detroit Institute of Arts has held cyanotype workshops in its new wing. One web resource has videos showing how to make your own cyanotypes.

So, all you really need now is some sun. I see it it's going to be a sunny day here (finally). Time to go make some prints!

World Toy Camera Day 2009

Saturday, October 17 2009 is World Toy Camera Day -- a day for people all over the world to take photos using "toy" cameras. Even though that term is now in common usage, I dislike it because it tends to have a negative association with people that are not aware of the wonderful imagery that has been made from plastic cameras such as the Holga, Diana, and a bucketload of cheap plastic 35mm crappy wonders. However, for want of a better term, World Toy Camera Day (WTCD) is always fun (just a sidenote here regarding fun. Have you ever tried typing while a cat is on your lap and pushing its way onto your keyboard? Johan is doing just that...).

For more info and photos from WTCD.... go here, here, and here.

I'm not sure what I'll shoot with, but very likely the Fisheye Diana... A report on it is coming soon.