Sunday, May 28, 2017

Catching Up this Month

setting sun, Cobblestone Farm, iPhone SE
Here it is, already the end of May, and I realize that I have not put up a post in 2 weeks.  I have been busy developing and scanning all those films from April and early May, and have more to go before I catch up, that is, if I ever do.   To me, that has always been the fun aspect of film.  While I do shoot a fair amount of digital images, and appreciate the immediacy and creative aspects that it offers, my first love is film.  Developing a roll that I shot last month gives me a different sort of appreciation for "the moment" and of course, a much different interaction than if I were just downloading a hundred images off my SD card.  There have been numerous arguments put forth about the benefits of "slow photography", the "love of film" and so forth, and of course they all have some merit.  The developing and scanning routine for film isn't for everyone, of course, and if your main interest is sharing on social media, then maybe film isn't the best thing.  What really matters is what YOU like.  If you love shooting photos with your phone and are happy with it, keep doing it.  Don't take up shooting film just because it's what all the cool kids are doing.  I recently got my first Apple iPhone, and it's an SE model.  I love it.   I find myself doing things with it that allow me to create some fun and interesting images (IMOO), and it's always in my pocket.  That's not a bad thing. It's a great creative tool. Sometimes, having those tools inspire us to try different shots that we can then later say,  "I want to shoot that same thing on my Pentax K1000."  So, the iPhone (and other cellphones) can also be a sort of  "idea notebook" to augment and improve our photography overall.  We can also use them to document our set-up for a shoot, which is also valuable.  You've seen all this before, but since this is primarily a blog about film cameras (though I daresay I have a more than a few digi-entries), I figured that I may as well state the obvious.  The iPhone can make you a better artist, if you choose to let it.  Yes, those Hipstamatic filters are fun, but never confuse the results with the real deal, okay?

The other thing I have been doing is mentoring a young woman in film developing.  What I have found, contrary to my previous expectations, is that C-41 processing is probably the easiest intro to film developing!  EVERYTHING has the same time.  You only need to watch the temperature, which is easy with a water bath.  No confusion about times for different films and developers, etc.  Since a 1 liter kit is $20 at the Film Photography Project Store, and I can easily get over a dozen rolls developed from a kit, it is a huge money saver for a beginner.   Then of course, there is the scanning, which has various price points. In the end, it is all quite cheaper than sending your film out, and certainly more satisfying.

I recently had my two Nikon FE bodies fully serviced, so there will be a post about that soon.

So, as we enter the summer, I'm well-stocked with film, and hope to get a lot of photography done. I want to experiment more with color IR, and do even more shooting with medium-format.  I'll also be sharing my exploits via Instagram (mfophotos), if you care to follow.

A few examples of recent C-41 developing...
Minolta X700, Superia 800 film

Minolta X700, Superia 800 film

Minolta Maxxum 5, Superia 800 film

Minolta Maxxum 5, Superia 800 film

Lomo Sprocket Rocket, Kodak Profoto, 200

Olympus Trip 35, Kodak Profoto 200

Olympus Trip 35, Kodak Profoto 200

Sunday, May 14, 2017

The MVP- 35mm Plastic Camera from Taiwan

Introducing the MVP Camera, AKA The "Optical Lens" plastic cameras, also known as Taiwan-35s.

Whether it started with the TIME camera, or any number of plastic cameras that have that SLR/Rangefinder look, the cameras share similar features.  They have an aperture range of f/6-f/16, one fixed shutter speed, no adjustable focus, and the bezel around the front of the lens says "Optical Color Lens" or "Optical Lens".  The cameras are plastic, and often have some sort of metal weight in the bottom to give them more heft, and therefore, the "appearance" of quality.  Make no mistake, there is not a lot of quality in these cameras, but they are pretty much on par with a Holga.  Some models have a chrome shutter release that accepts a remote cable, and all have a standard ISO flash shoe.  The viewfinder is just a window that gives you an estimate of what may appear in the frame.  Use a small auto flash, and you'll be able to shoot indoors.

With my recently-acquired MVP camera, I was pretty sure that the shutter speed was around 1/100 sec., but in tests with the Phochron Shutter tester, the speed is around 1/250 - 1/300 second.  So, assuming you are following the sunny-16 rule, ISO 100-400 is fine for sunny days, as C-41 color film has a pretty wide exposure latitude.  I shot some 100 ISO Svema B&W film in my MVP camera, and on a sunny day the exposures looked just fine. Yes, that IS a Ford logo on the lens cap. I guess Ford had some promotion in the late 1980s.

Are these serious cameras?
Um, no.  Most of these cameras were given away in promotions.  Some factory (or factories)  in Taiwan must have made millions of them during the 1980s.  While yes, they are cheap and inconsistent in quality, they are a lot of fun.  You can find series 6 filter adapters (48mm)  that push into the front of the lens that allow you to use filters, providing you with even more possibilities.  It's too bad that these cameras don't have a B setting, since they do have tripod sockets.  Nonetheless, your results may be somewhat dreamy, they may resemble a Holga image, or may just be low-contrast and somewhat blurred -- it all depends on the camera.  McKeown's 12th edition lists the TIME camera as a "minimum-quality 35mm camera from Taiwan."  The 2006 "value" is listed at $1-$5, which is pretty much unchanged today.

What to look for
Since these plastic cameras are becoming less common, they have also become somewhat collectible (low-end collectibles, at that.)  Due to them being offered in promotions, there are a variety of logos printed on the front, but there are basically just a few "typical" models that share the same features. The appearance of a grip on the right side was a good thing, enabling better holding of the camera.

TIME - The Time camera was a 1985 promo camera from Time-Life to induce people to subscribe to the magazine. I am sure there are several camera variations, and the best examples will have the "LAVEC OPTICAL GLASS LENS."  That should be a minor improvement over the "color optical lens."   One variant of the Time camera is actually branded LAVEC, produced by Lavec Indsutrial Corp., Taipei, Taiwan.  In fact, a Google image search turns up a slew of cheap plastic cameras with Lavec branding.  The MVP camera shown here is also branded as a "YUNON" camera.  There are all kind of variants of this main theme.

HACKING - One site - Instructables - has a page on hacking the Time camera, and while the ideas there are worth exploring if you have more than one of these cameras, the best thing one can do is put a 48mm diam filter adapter on the front so that you can use any number of filters that are suitable for the effect you want.  The double -exposure feature would be the one thing that would appeal to quite a few people. These cameras are also easy to hack if you want to put a vignetting mask in the back, or even make the frame mask 24x24mm.  Easy to to with black tape or cardstock.

There is another class of cheap plastic 35mm cameras that attempt to fool people into thinking they are getting a modern auto-focus camera with a big "pro-style" flash.  They are usually branded with names like Canon, Olympia, etc., that sound like a legit brand, but alas, they are not.  I have not used any of them, but I know a few people that have, and they pretty much give the same results as the Time cameras, but with more bulk. Also, these counterfeits are made in China, not Taiwan. They usually show up at flea markets in showy packaging. Alas, they might be worth $5, but not more.  Of course, there are plenty on eBay.  I suspect that the "single-use" cameras that appeared and proliferated  in the 1990s was the end for these Taiwanese cameras.  While there are other promotional cameras, they just don't exude the cheesiness of the Time-style cameras.

To summarize -- the Time-style cameras can be a lot of fun, and a way to get a Holga-like experience in 35mm.  Because of their size, you can have several in a bag with different films, ready for the next adventure.  Used within their parameters, you'll get images that are certainly different from your typical 35mm camera.  They are cheaply-made, in several styles that emulate a small SLR or a rangefinder. Don't pay more than a few bucks for one.  Have fun!

My first results with the MVP, using Svema 100 ISO b&w film.

Sunday, May 07, 2017

Point and Shoot Review - Canon Sure Shot A-1

I recently saw one of these at a local thrift shop for $20, and passed. It's still there. Then, I found one for $3.00 at the Kiwanis sale, and picked it up.  I have always been intrigued by the looks of the camera, as it has a toyish, non-threatening appearance.  Of course, it is also water-proof, at least to a depth I would be happy with (no more than 6 feet), and is therefore perfect for canoe trips, rainy days, and the shore.  I thought it might also be good as a street camera, and as you know by now, I am always looking for a good, but cheap "street camera."  Based upon the quietness of the camera, its toy appearance, auotofocus, autowind, and the somewhat wide-angle 32mm f/3.5 lens, I would think it's a good candidate. But, what about the photos?

I took it along on Worldwide Pinhole Photography Day and shot a roll of Kentmere 400.  Results were fine, and right now I have a roll of Fuji 64T chrome film in it.

Caveats - it uses DX codes to set the ISO, so no hand-loaded cassettes unless they have an DX code on them. No external flash ability. Best at objects over 1 meter away.
I like the ease of handling, the bright viewfinder, and the quietness of the camera.  I also like being able to turn off the flash.  It's a bit Fisher-Price looking, but that's okay!  Nobody will take you seriously. The single 32mm focal length is quite good for the street, too.

Specifications- the camera appeared in 1994, so it's not terribly old!

  • Lens: 32mm, f/3.5 (6 elements in 6 groups)
  • Programmed shutter: 1/250-2s.
  • Viewfinder: large and bright for use with swimming mask, autofocus frame, ready light, flash warning. Especially good for glasses-wearers
  • Flash: Automatic, but can be disabled. GN: 7.5m at ISO 100.
  • Automatic winding.
  • Waterproof: To five m, using rubber seals and O-rings.
  • Power: One 3V CR123A battery
  • Dimensions & weight: 133x88x56 mm, 385 g (with battery)
  • DX-coded ISO cassettes, 25-3200
UPDATE (11/28/17)

I finally processed a roll of Fuji 64T slide film that I shot with this camera. No daylight filter, so outdoor images have a "special" look.    Anyhow, here are a few samples.
Ludington, MI.  Colors enhanced after the scan.

The mighty Mackinac Bridge

looking towards Lower Harbor, Marquette

under the water in Lake Superior!

Ludington, MI

Rather than go into great detail on the camera, there are other reviews out there that provide that perspective, including shooting under water, so check out Forgotten Charm,  Film Advance and 35mmc.   Of course, you can find a manual online at!

Saturday, May 06, 2017

WPPD 2017 in Ann Arbor

The Ondu pinhole cameras - Kat's 6x6, and my 6x9
Worldwide Pinhole Photography Day was held on April 30, and this year a bunch of us got together in Ann Arbor instead of some other location.  Given the weather, we made a good choice.  Last year we met in Fostoria, OH, which turned out great. This year, it was a gloomy, cold, and then rainy day. Despite that, I felt we made the best of it, as we met on the University of Michigan campus. There is no lack of possibilities using pinhole cameras there.   I used my ONDU 6x9 pinhole camera for the first time, and realized that partway through the first roll, I had loaded the film on the wrong side, as the film spool should be loaded on the right side, not the traditional left side.  Therefore, the frame numbers will be proper for 8 6x9 images. Duh.  I should have realized that by looking at the arrows on the top of the camera.  With that out of the way, everything worked fine and I feel I got some good images.  Tim and Kat were also there, and always have been stalwart pinhole day attendees.

Since it was graduation weekend, we saw quite a few UM grads there, especially around the Carl Milles fountain.  From there, we went over to Nickels arcade, and then over to Regents Plaza.  I have always wanted to photograph the cube while it was rotating, and the pinhole camera surprised me with the result.

From there, we went over to the UM Law Quadrangle and got some shots in, at least until it started to sprinkle.
After that, we headed home!
The rotating cube.
and.. now for the pinhole result.

Inside Nickels Arcade 

Carl Milles fountain. About a 20 second exposure.

one last video...