Showing posts with label Panasonic Lumix GF1. Show all posts
Showing posts with label Panasonic Lumix GF1. Show all posts

Tuesday, September 01, 2026

A quick trip to Tucson and back

 I’m back from Tucson, AZ. On Saturday Aug. 22, Adrienne and I flew out to Tucson to help our daughter move from there to Asheville NC.  For me, the most disconcerting thing about flying to Tucson is arriving almost before we departed, since AZ does not use Daylight Savings Time, so that puts them at a 3 hour time difference from NC.  But more than that, is arriving in such a different environment – it was 106 degrees.  Another thing about flying there, is that Delta has a screen on the seat backs, and I could watch in real time, our airspeed and altitude, and see the flight path, and look out the window and know pretty much where we were.  Having traversed most of the country many times by car, it’s a little unsettling know that what took us 4 days to accomplish on the road, was done by our 737 at 550 mph at 34,000 feet – in 3 hours.  Looking down in some places was like being over Mars.  In other spots, the varied topography was a visual feast.  The window seat is my preferred place on a plane, and I just don’t understand why so many people are content to sit inside a darkened metallic tube hurtling across the continent, when there are interesting sights to be had.  



As we approached Tucson, we passed over the aircraft boneyard, which is pretty darn cool.  My window had haze in it, so my photos were not great.  Here’s my photo followed by the one from Google Maps.  I shot with my Panasonic GF-1 with the 7 Artisans 18mm f/6.3 pancake lens.

my photo

from Google Maps, the idiots that allowed "Lake America" 

Exiting the terminal into the desert heat was… memorable.  The high for the day was about 106.  Compound that with the heat radiating from the asphalt, and it was like the proverbial oven.  I’ve been to the SW many times before, but it was never as hot as this.  I don’t know how people expect to do anything outside in the daylight.  Jorie picked us up at the terminal, and we were off to find some lunch and then the hotel.  Our stay was in the Comfort Inn and Suites on Tanque Verde road.  A sort of retro place that was built in 1982 in a Mexican hacienda style architecture with courtyards and mature trees, fountains, and high beamed ceilings, elegant tile-work and exterior wood railings and steps.  It was originally known as the Tanque Verde Inn.  Our room was quite pleasant.

The courtyard at Tanque Verde

We didn’t have a lot of time to do much – as the next day would be for loading the U-Haul.  However, I managed to get outside early – just about sunrise – to go for a brisk morning walk before things heated up.  One morning I brought the Panasonic GF-1 along; the other, my Spotmatic F.  Certainly in the “golden hour” for photography, too.   Here are a few images from the GF-1 with the 14mm lens.







On Sunday evening, we were able to drive over to Saguaro National Park East at sunset, and watch the lightning displays  and monsoon clouds to the west.  It was a great place to be as the dark enveloped us.  Jorie, ever the local naturalist, pointed out a number of tarantulas and other spiders, and we saw a kangaraoo rat, a grasshopper mouse, and a desert cottontail.  It’s just a peaceful place to be in the evening, surrounded by the Saguaro sentinels with those clouds in the distance.  It was a serene way to say goodbye to Tucson, as we were leaving for NC Monday morning.



Monday, we started out of Tucson to I-10.  Taking Speedway Blvd. to I-10 seemed to take forever, as that road traverses the width of the valley.  As we went north towards Phoenix, I could see some very interesting extinct volcano cores thrusting into the sky. Phoenix, the largest city we would encounter on our trip, just keeps sprawling.  I have to wonder how the future will look for a place that was never supposed to have that many inhabitants as climate change and human activities deplete the water supply. We got into I-17 to go N to Flagstaff and started to gain elevation.  As we climbed in elevation, we lost the Saguaros, and eventually conifers became the dominant trees.  Flagstaff reminds me a lot of Colorado, and of course, it should – the same climate and biomes at that elevation.  The last time I was in Flagstaff was in 1980.  It was late May, and there was plenty of snow on the peaks around the city.  

We headed E on I-40, and we would stay on I-40 all the way home.  Our route took us past many places that lie along sections of old Route 66, and some of the famous landmarks that were once quirky reminders of what was there have been ruined by taggers and vandals.  This year marked the 100th anniversary of Route 66.  Places that have been well-maintained as tourist attractions are still there, and other places that have surrendered to decay look worse each year.  I think the best time to have traveled 66 would have been about 1970-1980, before I-40 rerouted all the traffic.   



Our first night on the road was in Grants, NM.  Grants used to be known as “the Carrot Capital” of the US, then it became the Uranium Capital.  I hear it gets glowing reviews.    One of my friends calls it an armpit of NM.  I’m sure there are worse places.  I did hit the Blake’s Lotaburger, after also visiting in 2025.  Their NM burger with Hatch chilies was great.



On the road Tuesday morning, with our goal of ending up in Weatherford, OK for the night.  Driving through Albuquerque was not fun.  A 5-car accident on 40 delayed us for a while. We stopped in Tucumcari, NM for lunch and I highly recommend Dell’s Restaurant.  Everything we ordered was really good.  Tucumcari is more than Route 66, although that’ss what they are known for.  Some of the places have been well-kept.  I stayed at the Roadrunner Inn in 2021, and loved it.  Other places along 66 have declined or closed,  but you should drive the side streets to get a better picture of Tucumcari.  I finally shopped at the Tee Pee Curios to get a new Route 66 key fob, a mug, and some postcards.  



On the way to Tucumcari, we passed the ghost town of Cuervo.  From I-40, it looked pretty much the same as when I stopped there and photographed it in 2021.  


Texas… what can I say about this crazy state that hasn’t been said before?  We did stop at the Buc-ees in Amarillo, and it was nearly empty compared to ones I’ve been to in other states.  That certainly made it more tolerable.  Filled up with gas, too, which at that point, was the cheapest so far at $3.62/gal, about a dollar cheaper than Tucson.  



We arrived in Weatherford, OK at sunset.  Our hotel was nice, and the next morning the TV was on while we were eating breakfast.  The talking heads were discussing the death of Dolly Parton, and a woman getting coffee in the breakfast area announced to us that she could not stand Dolly’s voice.  I thought to myself, “there goes an unpleasant person.” 

 I wanted to see the Major Tom statue – a 30 ft tall astronaut.  I thought it was the Stafford Air and Space Museum, but it was actually in the middle of town.  From what I could see, the Air and Space Museum looks like a great place to visit.  As we drove around, it was obvious that the city has really embraced the legacy of Thomas P. Stafford, an astronaut that was on Gemini, Apollo, and the Apollo-Soyuz mission.  There are lots of cool little signs and murals for this “space city.”  A local photographer could really have fun documenting them.  Major Tom was fun to see, and as he stands along Route 66, he dwarfs all the “muffler men” that you might encounter.  



It was a very long day on the road, and we ended up in Brinkley, Arkansas for the night.  At some point, we passed by Eric, OK which I stopped at in 2021.  It’s where the 100th Meridian passes through, which is the point in the US where the East turns into the West and desertification starts.  As one goes eastward in OK, the grasslands disappear and you start seeing more and more green.  Once you get to Arkansas, it’s a lush green landscape.  Brinkley lies in a big agricultural area, and our Days Inn was adequate.  We went local cuisine that night, and I came back to the motel with a big aluminum pan with deep-fried catfish, hush puppies and onion rings, which we all devoured, grease be damned.

Our last day on the road was also a long one, as we drove 583 miles to Weaverville, NC. Apart from gas and bathroom breaks, there were no meaningful stops along the way.  Crossing the Mississippi is always a bit exciting. Traffic in Memphis, Nashville, and Knoxville was horrible.  I think Knoxville was actually the worst, with starts and stops for no apparent reason.    When we got to the Pigeon River Gorge on I-40, it was one lane each way due to the rebuilding from Helene. I can’t imagine that they will be done in another year.  It seems impossible.    We arrived home at 6:45, for nearly 12 hours on the road.  It was great to be home again.

The U-Haul site near Tucson

Driving the 15 ft. U-Haul truck across the country gave me the benefit of sitting up high with a good view. My back never bothered me during all those long hours on the road.   I think one of the benefits of a cross-country trip, whether it’s I-40, or any other highway is that you actually SEE the country – how vast it really is, and the gradual differences as you travel.  I love the New Mexico sky, as well as the varied topography of that state. Arizona is even more varied, and more dramatic.  The Sonoran and Chihuahuan deserts have their own particular charm, and face it… those states can be a harsh place to live.  There’s the vastness of west, and so many interesting little places to explore.   I much prefer the hum of the tires on the road to the roar of the jet. I look forward to my next visit to the wonderful skies and vistas of the West.

The Panasonic GF-1 was a good choice. I had the 18mm f/6.7 7 Artisans pancake lens and the 14mm Panasonic lens for it, which worked well for the purpose of the trip.  I shot two rolls with the RETO Ultrawide and Slim, and 2 rolls with the Spotmatic F.  I will develop those films in a week or so.

Wherever you drive, be safe.










Wednesday, March 20, 2024

Retro Digital in Micro 4/3

Olympus E-PL1 with 75mm Kern-Switar lens, 2012


About a dozen years ago, I owned an Olympus E-PL1, which was a wonderful travel camera, and with the m4/3 mount, allowed me to attach a variety of lenses with the proper adapter.  I took a lot of excellent images with that camera, and I sold it and all of its lenses when I bought a Nikon 1 V1 and a Nikon 1 J1 body with lenses, thinking that hey, Nikon’s onto something here - smaller, lighter, and I can adapt lenses.  Indeed, I did especially like the Nikon 1J1 as a perfect street camera with the wide-angle equivalent of 28mm in 35mm land.  But, the Nikon 1 series, with its even smaller sensor than micro 4/3 cameras, was a dead end. They were not a bad idea, but Nikon marketed them to a different audience. 

CCTV lens on the Olympus E-PL1, 2013

 When I decided to go and get a serious mirrorless system, I bought into the Canon EOS M series with the EOS M5.  I haven’t regretted that, as my M5 is a great camera, and I have used it quite a lot, especially with manual lenses from TTArtisans, 7 Artisans, and Meike.  It has plenty of megapixels, and I love the way that it does focus confirmation in manual mode.  

Panasonic Lumix GF1 and Canon EOS M5



I was looking into having a somewhat simpler camera that reminded me of using something like the E-PL1 and of course the Ricoh GR series came to my attention. I wanted a camera that was small, but not too small, enough resolution to make decent prints, and the ability to have interchangeable lenses.  Plus, it had to be a good carry-around camera that had good battery longevity. After doing some research, I figured that it was time to go back when video wasn’t the BIG deal it is now, and that meant something over 10 years old.  The perfect candidate to me, was the Panasonic Lumix GF1, a 12 MP micro 4/3 camera with just a rear LCD.  I purchased a like-new model from KEH for $158 without a lens.  I bought a TTArtisans 25mm f/2 fully manual lens on Amazon for about $60, and both arrived on the same day.  




So, back to m4/3, after all these years.  I already have a Pentax 110 lens to m4/3 adapter, as well a C-mount to m4/3.  I used several c-mount lenses with my old Olympus E-PL1, and really liked the results, so here we are again.  My plan is to mostly use the 25 mm TTArtisans lens, which on the m4/3 sensor, is a 50mm equivalent.  The TTArtisans 25mm f/2 is a particularly nice lens that has fairly close focus (.25m) and excellent sharpness.  It has a filter ring size of 43mm, and I was pleased to find that I already had a lens hood and filter adapters that fit it.

The only knock on m4/3 is the "crop factor" - it’s 2x, which means that wide-angle primes have to be 15mm or less.  But this is supposed to be a street camera and an easily-carried adjunct to my film gear.  Having interchangeable lenses make it all the more attractive, but my intent is to try and stick with one lens.

Some quick results with the TTArtisans 25mm f/2





The Panasonic Lumix GF1 appeared on the market in the latter part of 2009, which makes it a 15-year old camera, at most.  In digital years, that’s almost an antique.  However, 12 megapixels is certainly more than adequate, and feature-wise, it’s perfect for my needs.  Price-wise, I have a pretty good setup for a little over $200.  One of the bothersome little things about my EOS M5 is the location of the video selector button, which is easy to accidentally engage.  On the GF-1, it’s on the top plate to the right of the shutter release, and I have yet to accidentally turn on the video.

All kinds of videos are on YouTube for anyone interested in setting up a compact mirrorless ILC camera to do the job of a Ricoh GR series camera.  The minus of the GR system - lack of interchangeable lenses and cost are probably the biggest strike against them.  Of course you could do the same with an older Sony NEX-series camera, a Fuji X-series, or an Olympus or Panasonic m4/3.  You could also do this with an older Canon EOS M or M2. Depending on your style of shooting, these older cameras are certainly worth investigating, and if you add an inexpensive manual lens, you won’t be out of a lot of money.  My only other purchase for this camera might be one of those old Olympus m4/3 18mm pancake lenses. I had one in my EPL-1, and liked the results.

There are a lot of excellent manual focus lenses coming from China.  My beef with the Nikon Z system and the other major mirrorless bodies, is that the AF lenses are typically large and also can be very expensive.  The lenses from 7 Artisans and TT Artisans are mostly excellent and much more compact than most of the AF lenses for their respective systems.  I reviewed the TTArtisans 40mm macro lens a while back. The GF1 is often paired with the Panasonic 20mm f/1.7 AF lens, which even now, sells for more than I paid for the camera body.  I think that if you desire an AF lens for m4/3, it’s definitely a good choice, along with the Olympus Zuiko 17mm f/1.8.  

If you think that the rear LCD isn’t the best thing for you, the Panasonic DMW-LVF1 Electronic Viewfinder sells used for a little over $100.  While it’s not up to the current ELV’s in current mirrorless bodies, it’s going to be good enough to use for focusing in bright sunlight rather than the rear LCD screen.The connector has an electronic connection to provide a live view that's close to that of the LCD display, albeit with a lower resolution.  

I’m not a videographer, and in fact, if I need a short movie, I use my iPhone.  I’d like to see the manufacturers produce at least one model in their offerings that’s designed only for still photography.  Do away with the video buttons and options, and it would probably also lower the price.  My Nikon Df doesn’t do videos, and it’s a great camera.  Vloggers, influencers, etc., won’t be the market niche, but people passionate about still photography would be thrilled. 

Canon EOS M5, 2023.

The fact is, any of these cameras are capable of great images.  The user interface and ergonomics are slightly different for each brand, and you really can't tell whether a camera used has an APS-C or m4/3 sensor when you view an image.  I like the different b&w modes in the GF1, and for me, that is a plus. You might wonder why I didn't just buy an earlier EOS M model, but I have a fondness for the m4/3 cameras, and the price was right.  Basically, my advice is to pick your price point and features, and go from there,  For less than $300, you certainly have a lot of choices.