Read A Photography Book!

 In my many decades of photography, it should not come as a surprise that I’ve accumulated a lot of knowledge in my noggin.  I look back to my teen years, when my first darkroom experience was in a high school class taught by my science teacher.  That first roll developed from my Kodak Instamatic (Verichrome Pan) was magical, and I have never lost that sense of a magical moment when I pull a roll of film from the developing tank.  Almost 50 years later, I still enjoy developing my film and using film cameras, despite the obvious alternative – which of course, I do also use.  There are many reasons to use a digital camera, and just as many reasons to use film, especially black and white, which I believe offers more opportunities to explore creative avenues that digital just can’t match.

Over the course of many years on social media, and more recently, Reddit, it’s become clear to me that there are a lot of new users that want to experience what film cameras have to offer, and it’s also clear to me that many of those people are also unlikely to look for a book in a library about film photography.  It’s hard to ask or answer questions without a common framework of terms, without a common grounding in basics.   

First of all, photography is photography, whether it’s done with a digital sensor or a piece of film.  Those basic functions of exposure – aperture, shutter speed, and sensitivity (ISO) are the same.  If all you have ever used before is a smart phone, then I can understand your lack of knowledge.  But if you have been using a camera – whether a point and shoot, a DSLR, or a mirrorless camera with interchangeable lenses, there are rudimentary principles behind those exposures that you should grasp.  Any basic book of photography has that information, as well as the camera manuals.  Those principles don’t change if you are using a film camera.  In fact, things actually get simpler.

My first piece of advice is to BE CURIOUS and do your research.  That means to actually read up on whatever it is that you want to do, and not expect a quick answer from someone on an online forum to a question that’s easily answered in most photography books.  I have this suspicion that many people today do not actually read a damn thing, but rely on YouTube videos that may actually have misinformation.  I don’t want to come across as a cranky old man – but you can’t ignore the value of an easily carried around book.  A book such as the following listed here are my recommendations to learning about using a film camera and photography:

Bellamy, Andrew. 2017. Analog Photography. Reference manual for shooting film.  Princeton Architectural Press, 190 pp. ISBN 978-1-61689-817-5   www.papress.com

Horenstein, Henry. 1983 (with numerous edition reprints). Black and White Photography, A Basic Manual.  229 pp. Little, Brown, and Company, Boston. ISBN-0-316-37314-1    This great resource is available from Thriftbooks.com for about $5. 

Lovell, R.P., Zwahlen, F,C., Folts, J.A. Handbook of Photography, 4^th edition.  1998.  385 pp., Delmar Publishers, Albany, NY.  ISBN #0-8273-7913-7.  Pretty much all you need to know, and a  commonly used book for photography classes. It's less than $5 at Thriftbooks.com.

You can’t go wrong with the Horenstein book for black and white photography.  It’s very popular in b&w photography classes, and I believe it’s the best book for beginning photographers.  

Of course, there are many, many books out there for learning about photography, and about other photographers, but I point to those above as the best starting points. If you have one, you will find answers to most of the questions that beginning film photographers will have – and they are there in black and white, at all times.

There, now you have a good reference that’s been vetted by publishers and thousands of users, not the opinion of some random keyboard commando.  From here on, you'll have a useful guide to get you started in using a film camera, and throughout your photography career.

If you are able to take a photography class, it's always a good option - sometimes they are offered as adult education classes, one-day workshops, or courses for college credit.  The only "class" I ever had was the one in high school.  Today, there is a vast reservoir of information online from film manufacturers, photography sites, and of course, social media.  The other avenue is working with a mentor - a person with lots of experience and the ability to spend time with someone wanting to learn.   In lieu of a class or a mentor, a book can be the best resource - always available at any time.  Don't expect to know it all at once - photography can be as simple or as complex as you want.  Take your time to learn the basics, and the rest will be much easier.

A Tale of Two Yashica Electro 35 GTNs

Pretty, and deceiving

A few posts ago, I reviewed my experience with a beater of a Yashica Electro 35 GTN.  Several weeks later, another example of the same model fell into my lap, and it was in pristine condition, shutter speeds and indicator lights were perfect.  I rewound the few frames that I'd shot in my "beater" GSN, and loaded the "new" GSN with the roll of Kentmere 400, and it went along inside my car for some brief photo trips, including my recent visit to Pittsburgh.  

I was shooting with it last week, and realized that sometimes the camera felt as though something wasn’t quite right - and I also saw that sometimes the rewind lever rotated as I advanced the film, and sometimes - most often, it did not.  I rewound the film and developed it the next day.  Much to my disappointment, almost all the frames were overlapped - some just by a sprocket width, some by a half frame, and others, barely overlapped.  Some were up to 3 exposures overlapped.  

As you can see in the video, I checked the advance AFTER the fact, and this is what I should have done in the beginning:

On the plus side, everything was in good focus and properly exposed, but as you can see, it was a bad film advance.  Afterwards, I loaded a many-times exposed test roll that I keep for testing cameras, and with the back open, I could see that the advance would work, and then not.  I could actually hear a difference in the winding when that happened, and it matched what I heard when shooting with it.  Had I tested it that way initially, I would have been spared the disappointment.  So, I will put that lovely example in a box and sell it as a repair camera, and go back and use the beater GTN that works well.  Lesson learned -- and it’s a good thing that I mostly used the Nikon F3HP when I was in Pittsburgh.  Those shots came out great.

see the overlapping frames

So, remember to test a camera with a junk roll to make sure that the mechanical aspects of film winding go as they are supposed to.  In my desire to use that pretty GTN, I forgot to do the one thing that would have saved me from failure later on.

Here's a few photos from the roll - maybe I can call them "art!"