Showing posts with label Arizona. Show all posts
Showing posts with label Arizona. Show all posts

Tuesday, September 01, 2026

A quick trip to Tucson and back

 I’m back from Tucson, AZ. On Saturday Aug. 22, Adrienne and I flew out to Tucson to help our daughter move from there to Asheville NC.  For me, the most disconcerting thing about flying to Tucson is arriving almost before we departed, since AZ does not use Daylight Savings Time, so that puts them at a 3 hour time difference from NC.  But more than that, is arriving in such a different environment – it was 106 degrees.  Another thing about flying there, is that Delta has a screen on the seat backs, and I could watch in real time, our airspeed and altitude, and see the flight path, and look out the window and know pretty much where we were.  Having traversed most of the country many times by car, it’s a little unsettling know that what took us 4 days to accomplish on the road, was done by our 737 at 550 mph at 34,000 feet – in 3 hours.  Looking down in some places was like being over Mars.  In other spots, the varied topography was a visual feast.  The window seat is my preferred place on a plane, and I just don’t understand why so many people are content to sit inside a darkened metallic tube hurtling across the continent, when there are interesting sights to be had.  



As we approached Tucson, we passed over the aircraft boneyard, which is pretty darn cool.  My window had haze in it, so my photos were not great.  Here’s my photo followed by the one from Google Maps.  I shot with my Panasonic GF-1 with the 7 Artisans 18mm f/6.3 pancake lens.

my photo

from Google Maps, the idiots that allowed "Lake America" 

Exiting the terminal into the desert heat was… memorable.  The high for the day was about 106.  Compound that with the heat radiating from the asphalt, and it was like the proverbial oven.  I’ve been to the SW many times before, but it was never as hot as this.  I don’t know how people expect to do anything outside in the daylight.  Jorie picked us up at the terminal, and we were off to find some lunch and then the hotel.  Our stay was in the Comfort Inn and Suites on Tanque Verde road.  A sort of retro place that was built in 1982 in a Mexican hacienda style architecture with courtyards and mature trees, fountains, and high beamed ceilings, elegant tile-work and exterior wood railings and steps.  It was originally known as the Tanque Verde Inn.  Our room was quite pleasant.

The courtyard at Tanque Verde

We didn’t have a lot of time to do much – as the next day would be for loading the U-Haul.  However, I managed to get outside early – just about sunrise – to go for a brisk morning walk before things heated up.  One morning I brought the Panasonic GF-1 along; the other, my Spotmatic F.  Certainly in the “golden hour” for photography, too.   Here are a few images from the GF-1 with the 14mm lens.







On Sunday evening, we were able to drive over to Saguaro National Park East at sunset, and watch the lightning displays  and monsoon clouds to the west.  It was a great place to be as the dark enveloped us.  Jorie, ever the local naturalist, pointed out a number of tarantulas and other spiders, and we saw a kangaraoo rat, a grasshopper mouse, and a desert cottontail.  It’s just a peaceful place to be in the evening, surrounded by the Saguaro sentinels with those clouds in the distance.  It was a serene way to say goodbye to Tucson, as we were leaving for NC Monday morning.



Monday, we started out of Tucson to I-10.  Taking Speedway Blvd. to I-10 seemed to take forever, as that road traverses the width of the valley.  As we went north towards Phoenix, I could see some very interesting extinct volcano cores thrusting into the sky. Phoenix, the largest city we would encounter on our trip, just keeps sprawling.  I have to wonder how the future will look for a place that was never supposed to have that many inhabitants as climate change and human activities deplete the water supply. We got into I-17 to go N to Flagstaff and started to gain elevation.  As we climbed in elevation, we lost the Saguaros, and eventually conifers became the dominant trees.  Flagstaff reminds me a lot of Colorado, and of course, it should – the same climate and biomes at that elevation.  The last time I was in Flagstaff was in 1980.  It was late May, and there was plenty of snow on the peaks around the city.  

We headed E on I-40, and we would stay on I-40 all the way home.  Our route took us past many places that lie along sections of old Route 66, and some of the famous landmarks that were once quirky reminders of what was there have been ruined by taggers and vandals.  This year marked the 100th anniversary of Route 66.  Places that have been well-maintained as tourist attractions are still there, and other places that have surrendered to decay look worse each year.  I think the best time to have traveled 66 would have been about 1970-1980, before I-40 rerouted all the traffic.   



Our first night on the road was in Grants, NM.  Grants used to be known as “the Carrot Capital” of the US, then it became the Uranium Capital.  I hear it gets glowing reviews.    One of my friends calls it an armpit of NM.  I’m sure there are worse places.  I did hit the Blake’s Lotaburger, after also visiting in 2025.  Their NM burger with Hatch chilies was great.



On the road Tuesday morning, with our goal of ending up in Weatherford, OK for the night.  Driving through Albuquerque was not fun.  A 5-car accident on 40 delayed us for a while. We stopped in Tucumcari, NM for lunch and I highly recommend Dell’s Restaurant.  Everything we ordered was really good.  Tucumcari is more than Route 66, although that’ss what they are known for.  Some of the places have been well-kept.  I stayed at the Roadrunner Inn in 2021, and loved it.  Other places along 66 have declined or closed,  but you should drive the side streets to get a better picture of Tucumcari.  I finally shopped at the Tee Pee Curios to get a new Route 66 key fob, a mug, and some postcards.  



On the way to Tucumcari, we passed the ghost town of Cuervo.  From I-40, it looked pretty much the same as when I stopped there and photographed it in 2021.  


Texas… what can I say about this crazy state that hasn’t been said before?  We did stop at the Buc-ees in Amarillo, and it was nearly empty compared to ones I’ve been to in other states.  That certainly made it more tolerable.  Filled up with gas, too, which at that point, was the cheapest so far at $3.62/gal, about a dollar cheaper than Tucson.  



We arrived in Weatherford, OK at sunset.  Our hotel was nice, and the next morning the TV was on while we were eating breakfast.  The talking heads were discussing the death of Dolly Parton, and a woman getting coffee in the breakfast area announced to us that she could not stand Dolly’s voice.  I thought to myself, “there goes an unpleasant person.” 

 I wanted to see the Major Tom statue – a 30 ft tall astronaut.  I thought it was the Stafford Air and Space Museum, but it was actually in the middle of town.  From what I could see, the Air and Space Museum looks like a great place to visit.  As we drove around, it was obvious that the city has really embraced the legacy of Thomas P. Stafford, an astronaut that was on Gemini, Apollo, and the Apollo-Soyuz mission.  There are lots of cool little signs and murals for this “space city.”  A local photographer could really have fun documenting them.  Major Tom was fun to see, and as he stands along Route 66, he dwarfs all the “muffler men” that you might encounter.  



It was a very long day on the road, and we ended up in Brinkley, Arkansas for the night.  At some point, we passed by Eric, OK which I stopped at in 2021.  It’s where the 100th Meridian passes through, which is the point in the US where the East turns into the West and desertification starts.  As one goes eastward in OK, the grasslands disappear and you start seeing more and more green.  Once you get to Arkansas, it’s a lush green landscape.  Brinkley lies in a big agricultural area, and our Days Inn was adequate.  We went local cuisine that night, and I came back to the motel with a big aluminum pan with deep-fried catfish, hush puppies and onion rings, which we all devoured, grease be damned.

Our last day on the road was also a long one, as we drove 583 miles to Weaverville, NC. Apart from gas and bathroom breaks, there were no meaningful stops along the way.  Crossing the Mississippi is always a bit exciting. Traffic in Memphis, Nashville, and Knoxville was horrible.  I think Knoxville was actually the worst, with starts and stops for no apparent reason.    When we got to the Pigeon River Gorge on I-40, it was one lane each way due to the rebuilding from Helene. I can’t imagine that they will be done in another year.  It seems impossible.    We arrived home at 6:45, for nearly 12 hours on the road.  It was great to be home again.

The U-Haul site near Tucson

Driving the 15 ft. U-Haul truck across the country gave me the benefit of sitting up high with a good view. My back never bothered me during all those long hours on the road.   I think one of the benefits of a cross-country trip, whether it’s I-40, or any other highway is that you actually SEE the country – how vast it really is, and the gradual differences as you travel.  I love the New Mexico sky, as well as the varied topography of that state. Arizona is even more varied, and more dramatic.  The Sonoran and Chihuahuan deserts have their own particular charm, and face it… those states can be a harsh place to live.  There’s the vastness of west, and so many interesting little places to explore.   I much prefer the hum of the tires on the road to the roar of the jet. I look forward to my next visit to the wonderful skies and vistas of the West.

The Panasonic GF-1 was a good choice. I had the 18mm f/6.7 7 Artisans pancake lens and the 14mm Panasonic lens for it, which worked well for the purpose of the trip.  I shot two rolls with the RETO Ultrawide and Slim, and 2 rolls with the Spotmatic F.  I will develop those films in a week or so.

Wherever you drive, be safe.










Tuesday, December 09, 2025

A Developing Story


Film from the Arizona trip


Over the past few months, I have shot quite a bit of film.  Thirty-seven rolls on my October Arizona trip, and another 13 rolls during my November Ohio-Virginia trip.  That’s 50 rolls, and really raises my count for the year. Of course, the chickens come home to roost, which means that I have had to do a lot of film developing. The black and white film always gets done first - and while I tend to shoot a lot of different b&w films, there are some that I use more than others. Using only one b&w film does make the developing end simpler, but no, I am not that type. Therefore, the b&w developing takes longer since I have to work out the developer and time for each different emulsion.  The Massive Development Chart is what I use as a reference, as well as my developing notebook - which I’ve been keeping for almost 25 years. Lately, I have been using a lot of D-76, followed by Black White and Green, D-96, and HC110.  



On my recent trips I did shoot a lot of color film, even in medium format.  I used my Pentax 6x7 quite often during the Arizona trip, and I think the addition of a 3D printed right hand grip really makes the camera easier to hand hold.  I confess that I have not used the Pentax 6x7 very often over the past few years, and the Arizona trip was the most use it’s had in a long while. Most of the color shot on that trip was with my 35mm K-mount bodies, the Vivitar V3800 and the Pentax KX, and then the Pentax 17. As I was getting ready to leave for Ohio in mid-November,  I sent in the E-6 films to Dwayne’s Photo in Parsons, KS, and the 120 C-41 to Reformed Film Lab in Florida.  The developed film returned shortly after I got home from the November trip. 



I developed the 35mm color film at home using the FPP Color kit for ECN-2 and C-41 films.  I use a sous-vide in a 5 gallon tote to keep the chemistry at 42°C.  I have 7 Jobo tanks that take 2 rolls of 35mm, so what I do is this: 
Number each tank and record what rolls are in each. Work from Tank 1 -7, hanging the film to dry in the same order.  Since everything gets the same development, it doesn’t matter what rolls are together, except that I do keep ECN-2 films separate from C-41, since I don’t want remjet particles polluting the non-remjet in the same tank.

For a developing session like this, I mix a fresh batch of developer.  The kits are said to be able to develop up to 25 rolls, but after 18-20 rolls, I mix up a fresh batch. At $20 for a kit, it’s still a HUGE savings over sending the film out for development. 



In looking over the lists of what I shot, here is the breakdown from the two trips:
Here’s the actual number of rolls:

1 Amber T800
2 Eastman 250D 
3 Fomapan 200
1 Fomapan 400
1 FPP Derevpan 100
1 FPP Retrochrome 400
1 FPP Svema FN64
1 FPP Xray
4 Fuji Acros 100
2 Fuji Color 200
1 Harman Phoenix 200 II
1 Ilfocolor 400
4 Kentmere 200
7 Kentmere 400
2 Kodacolor 100
1 Kodacolor 200
1 Kodak Color Plus 200
1 Kodak Ektar 100
3 Kodak Gold 200
1 Kodak Max 400
1 Kodak Tmax 100
2 Kodak Tmax 400
1 Kodak Tri-X
1 Lomo Color 100
1 Lomo Color 92
2 Lomochrome Purple
2 Lomochrome Turquoise
3 Rollei Retro 400S


The Lomochrome films were used in a Holga and my Rollei 35TE.  The Holga gave me some wonderfully wacky images, and the sharp lens on the Rollei definitely gave me some nice images, and with those color shifts from the Lomochrome - very surreal imagery.  Most of the 35mm films were shot in K-mount bodies - Vivitar V2000 for the b&w, and Vivitar V3800 and Pentax KX for color.  My Leica M2 shot a roll of b&w and two in color, my Pentax 17 1 b&w and 1 color, and my Pentax 6x7 for 120, with a few b&w rolls in my Lomo LCA 120, and of course, the Holga.

Now that I’m done scanning all of the negatives, the editing and deciding which ones are the “keepers” come next.  B&W definitely requires less editing. With color films, there’s typically a lot more that needs to be done until I have something that I am satisfied with.  Spotting, adjustments to the color and so on, takes more time. In the end, I’ll have several hundred images on film that I will have to evaluate.  Still, film gives me something that seems “organic” and despite the work that’s required, I enjoy the process.  I have plenty of digital images from those trips, too, and while they require much less work, I don’t have the same feeling about most of them.  There is something about seeing an image on a piece of thin acetate that has a tangible bit of reality about it.  

Here are a few examples from the film I shot.  I’ll go into more detail in the captions.

On the Lewis and Clark Trail in Missouri.  Vivitar V3800, Ilfocolor 400. Oct. 12.



Coolidge, KS. What appears to be an old bank building. Vivitar V2000, Kentmere 400



Offerle, KS.  10/13/25.  Vivitar V3800, Kodak Max 400


Grants, NM, Route 66. 10/15/25. Vivitar V3800, Fujicolor 200.

Just past the Arizona Welcome Center, I-40. Oct. 15.  V2000, Kentmere 400, red filter

The oft-photographed GANO abandoned grain elevator near Kinsley, KS. Oct. 13, Pentax 6x7, Kentmere 400


Saguaro National Park, 10/18/25. Holga, Lomochrome Purple

Pima Air and Space Museum, 10/18/25. FPP X-Ray film, V2000, 85b filter

Lowell ghost town, S of Bisbee, AZ.  Pentax KX, FPP Retrochrome 400. A perfect film for this vintage scene.  10/17/25.

Chiricahua National Monument, Rollei Retro 400S, V2000, red filter.  10/19/25.

Bisbee, AZ.  Lomochrome Turquoise, Rollei 35 TE.  10/17/25.

Pipe Organ formation, Chiricahua Nat. Mon., Lomo Color '92, Pentax 6x7. 10/19/25

Shell and Chevy. Lowell ghost town. Pentax KX, Kodak Gold 200




I still have a ton of editing to do on these hundreds of images, and I'll be sharing more on my Flickr pages (mfophotos).

Grants, NM, Route 66.  Pentax 17, Kentmere 200.

Wednesday, November 26, 2025

Retrochrome Revisited


About a decade ago, I shot with a bunch of the Film Photography Project’s Retrochrome 320. At that time, the FPP was offering two types of Retrochrome as well as Wittnerchrome. All three were expired films that offered a different color palette at a time when Kodak was not even offering an Ektachrome option. The Retrochrome 160 and 320 were both expired industrial Kodak Ektachrome emulsions.  I did like the look of the Ektachrome 320 - it was a warm result with a nostalgic look.  

Over the past 50 years, I’ve shot hundreds of rolls of slide film and at one time, Kodachrome and various E-6 emulsions were pretty much the majority of what I was using. It was rare for me to shoot expired slide film, as I was doing a lot of nature/macro-photography, and I wanted my results to accurately depict my subjects.  My photography is a lot different now, and experimenting with odd emulsions is quite typical.  So, I was interested when Mike Raso announced that a new Retrochrome 400 was available from the FPP earlier this year (alas, now sold out).  I shot one roll with my Pentax 17 back in late July and early August, and the other roll was shot with my Pentax KX in Arizona during my October trip.  Both rolls were developed by Dwayne’s Photo in Parsons, KS.  I asked for the option of just receiving them sleeved and not mounted, as I have no intention of showing them via a slide projector.  It makes the scanning process a lot easier, as well. Dwayne’s did a great job with the 120 and 35mm E-6 film that I mailed to them, and the turnaround time was a week. At $8.50/roll for 35mm E-6 (unmounted and no scans), it’s a great price

All of the frames were scanned with my Epson V700 flatbed scanner at 3200 dpi. Edits were made in Corel Paint Shop Pro.  


Pentax 17 - I loaded this roll into my Pentax 17 while on a trip with Graham Young into Maggie Valley, NC  on July 18.  I set the ISO to 200, but should have set it to ISO 320 or 400.  Still, the results are pretty good, and the bonus is that I got twice as many shots on the roll.  The film is expired, so I expect some grain and loss of shadow detail, but I think it looks pretty darn good.    Here are a few samples from that roll.









Pentax KX - This is the camera that I purchased at Monument Camera in Tucson in mid-October.  I used it for all the color film that was shot on the rest of my trip.  The lens is the 50mm f/1.7 SMC Pentax.  I set the ISO to 320. The first few shot on the roll were taken in Lowell, Arizona - a sort of ghost town S of Bisbee.  Most of what I shot there was done with my Pentax 6x7, but these images from the KX and on the Retrochrome really do have a vintage look to them, and were perfect for the subjects.  The rest of the roll was shot at the Pima Air and Space Museum grounds where there are a LOT of vintage aircraft that you can walk up to and examine.  Again, the nostalgic look of this film was perfect was these aircraft, and it held up well under that bright Arizona sun. I probably should have set the ISO to 400 with this film, but I really dig the look.












I have one roll left of the Retrochrome 400, and I’ll keep it in my film fridge for a future subject that will be appropriate for the look that this film gives me.  There is no doubt that a good transparency film provides some amazing images.  Just being able to look at a roll of developed E-6 film is quite nice — those little brilliant scenes on the light table are something. No inversion needed to see the image as it should be.