Showing posts with label Polypan-F. Show all posts
Showing posts with label Polypan-F. Show all posts

Sunday, September 08, 2024

The Pentacon F SLR

 The Pentacon F

The M-42 screw mount was adopted quite early as the means for attaching lenses to a single lens reflex camera with a focal plane shutter, as seen with the Contax S in 1949. Early examples of that camera have Zeiss Ikon on the prism front. Thus was the saga of Zeiss-Ikon in Stuttgart in Western Germany, and Zeiss-Ikon in Dresden, East Germany.  By 1959, Zeiss-Ikon retained their name in Stuttgart, and the East German companies reorganized and became VEB Pentacon by 1964. We know them as just Pentacon, for the most part. Kamera Werkstatten (KW) was absorbed into VEB Pentacon, so the Praktica and Pentacon brands sort of intermingle, with each offering an M-42 mount SLR.  However, let me make this point.  While Zeiss-Ikon in Stuttgart was working on foisting the lens-shutter Contaflex SLR on photographers, the Contaflex was a dead-end, and very limited in lens choices.  The Praktica and the Pentacon M-42 mount SLRs with focal plane shutters became the de-facto standard for 35mm SLRs, with subsequent manufacturers adopting the same lens mount for at least 20 years.  Lens-shutter SLRs (and there were others besides the Contaflex, such as the Retina and Voigtlander Bessamatic) dropped by the wayside as SLRs with focal plane shutters became the standard into the digital era.

The Contax D and the Pentacon F are pretty much identical cameras.  They feature the same interesting shutter speed dial on the top deck, front-mounted shutter release, shutter speeds up to 1/1000 sec, and a PC flash socket on the top deck.  

They differ in the lenses that usually accompanied them.  In the case of the Contax D, it would have been a Zeiss Jena 50mm Biotar, and the Pentacon would likely have had a Meyer Primotar or Tessar 50mm. Today, finding one with the original "kit lens" is difficult, because those lenses by themselves are often worth more than the camera body. In addition, the fact that there are an incredible number of M-42 lenses means that these cameras have probably passed through many hands by now, and often with a different lens than the one it originally came with.


Using the Pentacon F




I have a lot of experience with M-42 mount SLRs, and the Pentacon F is easy to operate.  One thing that I had to do though, was find a proper take-up spool. The take-up spool in mine was missing - and I finally salvaged one from a broken Exa IIa.  The Pentcon F was lacking the original lens, and I ended up using a much newer 28mm M-42 lens, as well as a Vivitar 35mm f/3.5 Preset T-mount with an M-42 adapter.

Features:

Non-automatic mirror return.  That had to wait until Asahi Kokagu introduced it in 1954, and adopted later by other manufacturers.  You need to wind the film to lower the mirror for the next shot.  The camera uses a knurled film advance knob, not a wind lever.

Frame counter is on a ring below the advance knob.  

Auto-diaphragm - the camera will allow you to use an automatic aperture lens, that stops down at the moment of the shutter release.  You can also use pre-set lenses. For more information on those, see this post.

No light meter

No hot shoe, but PC flash port on top deck

Self-timer (even the Pentax K1000 does not have one)

Front mounted, angled shutter release with cable release threads

B, 1-1/1000 sec focal plane shutter.  You set the shutter speed by pushing down on the kurled knob just below the window and turn the knob clockwise to get the desired shutter speed to show up on the dial.  Pretty nifty.  There is a sliding switch on the back of the camera that determines which shutter speeds you select.  There are slow shutter speeds in red, and faster speeds in black on the dial. Pushing the switch to the left gives you a red arrow on the left of the speed dial to align the slow speeds with, and pushing the switch to the right gives you a black indicator arrow on the right side of the dial for faster shutter speed selection.  

Film rewind knob, no pop-out wind lever. 

Flash Sync speed - I don't know. There is no symbol to indicate the sync speed, nor is there a choice of X or FP sync, but some research indicates that it is a slow 1/10 sec.

There is a film release button for rewinding the film and a tripod socket on the bottom. 

There is a funny little flip-out bracket beneath the lens mount to keep the camera level on a table if you are doing selfies, I guess.



 

I loaded the Pentacon F with a roll of expired Polypan-F film, and used a hand-held meter as well as sunny-16 while I was shooting with it.  Overall, the camera performed perfectly, and my images were par for the course for a film like Polypan-F.  

Scanned on my Epson V700 Photo flat-bed scanner.








Overall, shooting with this camera was easy.  While it doesn't have the improvements of SLR bodies a decade later, it's not complicated, and has a very clean design.  It's certainly a throwback to the early days of 35mm SLRs, but once you figure out its quirks, you have access to a plethora of M-42 lenses that will work with it.















Saturday, May 04, 2019

Comrade, Can I Interest You in a Zenit?

Shooting with the Zenit 12XP


Over the years, I have owned a few Zenits.  My introduction to this line of Russian SLRs was with the Zenit E (made in the 1970s), which came in a leather never-ready case that smelled fairly awful. That was around 2001.  I probably paid less than $20 for it.  The viewfinder was a bit strange as well.  I later had a Zenit EM (made in the 1970s-80s), and then a more modern, but plasticky Zenit 122 (1990s).  That Zenit was certainly not as ruggedly built as its metal-bodied counterparts. The Zenit 12 XP that I have is now my only M42-mount camera.  I bought it at an antique store in Negaunee, MI for $20 about 5 years ago.  It came with a Helios 44M-4 58mm f/2 lens which is one of those lenses that seem to have a special endearing quality.

The Zenit E - my first Zenit, ca. 2002

My second Zenith, the Zenit EM, ca. 2006

Feature-wise, the Zenits are certainly not innovative, by any means.  The 12XP features B, 1/30, 1/60, 1/125, 1/250, and 1/500 sec shutter speeds.  It might be the Volkswagen of 35mm SLR cameras.  It does feature a standard hot-shoe as well as a PC socket, self-timer, and a meter with diode indicators in the viewfinder.  Metering is stop-down style -- a partial press of the shutter release will activate the meter and actuate the aperture.  If the two diodes are lit simultaneously, then you probably have a correct exposure. The flash sync is at 1/30 sec!   ISO ranges are from 16 to 500.  The all-metal construction of the camera makes it tank-like, but even so, it’s easy to use. The 12XP was manufactured from 1983-1992, and over a million units were produced.


Back to the lens -- since the Helios 44M in its various incarnations was put on the Zenits, it may be the most common “normal” lens from a manufacturer out there, at least in M42 mount (made from 1958-1992).  Renowned for its interesting swirly bokeh, rugged construction and affordability, it’s a copy of the Zeiss Biotar 58mm f/2 lens.  Many users praise the lens for it’s buttery bokeh on closeups, and for portraiture.  At 58mm, it’s certainly less wide than a 40mm.    The close-focus of the lens is 18”, and it’s a real pleasure to use. This lens is multicoated (MC), but early versions of the lens may be uncoated or single-coated.



My take on the Zenit 12XP is that it’s a no-frills camera with a  great lens that will allow you to concentrate on your subject.  The basic controls are very basic, and with the limited shutter speed selection, it may seem a bit antiquated.  Everything is fully manual, and it also makes it a great camera to learn photography with.  Given the price of Pentax K1000s, a Zenit 12XP ought to be a bargain of you are looking for a basic SLR.  The M42 screw mount has a huge number of lenses available for it, and they usually go for far less than other mounts.

Today, the prices on eBay are all over the place.  A 12XP with the Helios 44M lens in very good condition will range from $20 - $90.  The body only for a Zenit TTL - 12 series runs from $15-$40. All excluding shipping, of course. I figure that I did well for what I paid! Since it was made in Russia, it's going to be a more common camera in Europe than the USA.  Some Zenit Es were re-badged under the Kalimar label as the Kalimar SR200.

ZENIT Resources:

Images!  I really do like the results from this camera and lens combination.

Polypan 50

Polypan 50


Polypan 50

Polypan 50

Fuji 200 color

Fuji 200 color

Fuji 200 color


Svema 125 color

Svema 125 Color

Svema 125 Color

Svema 125 Color 
Svema 125 Color



DerevPan 100, flash

DerevPan 100

DerevPan 100



Friday, August 24, 2018

A Quick Review of the Olympus 35 LC Camera

If you ask film users about Olympus 35mm rangefinder cameras, there is no doubt that you'll hear about the popular Olympus 35 RC, the Olympus XA, and probably the Olympus 35 SP. It's unlikely that you'll hear a peep about the Olympus 35 LC.  While the 35 LC was produced from 1967 to perhaps 1970, it just does not seem to be as commonly seen as the subsequent Olympus rangefinder cameras.
Last year, I happened to come across an Olympus rangefinder camera that I had never seen before.  The Olympus 35 LC is an interesting 35mm rangefinder with a CdS light meter.  It's not auto-anything, and is somewhat on the large size, compared to the later Olympus 35 RC.  The 35 LC features a 42mm f/1.7 Zuiko lens, shutter speeds from 1 sec to 1/500 sec + B, an ISO range of 10 to 800, and an easily focused lens with a lever on the lens barrel.  This is a nice all-metal camera, with a very quiet shutter.  There is both a PC socket and a hot shoe for the flash.  The meter needle shows both in the viewfinder and in a window on the top deck of the camera.  The meter requires a mercury cell for 1.3 V, but I used a 1.5V silver-oxide cell, as that will be close-enough for b&w and C-41 films.    The bright-frame viewfinder is large and has parallax correction.  The RF focus patch is easy to see, making the camera a joy to focus.  No squinting into a tiny window with this camera.    Since the CdS meter window is inside the lens ring, you can use filters and the camera will meter through them for proper exposures.

The Olympus 35 LC stands out as being larger than the compact 35 RC.  Released in 1967, it predates the smaller SP and RC rangefinders by 2-3 years.  The 35LC dimensions are  138 mm W x 81 mm H x 70 mm D. Compare that to the 35 RC, which is 110 mm W x 70mm H x 50mm D.  While it's a larger camera, it feels right in the hands, much like a Konica Auto S2. 



The Olympus 35 LC features:


  • Lens: G.Zuiko 42mm f1.7, 7 elements in 5 groups, 55mm filter ring
  • Apertures: f/1.7 - f/16
  • Shutter: Copal-X, speeds B, 1-1/500 sec.
  • Meter: CdS cell, inside the filter thread
  • Viewfinder: Bright frame viewfinder with parallax correction.
  • Film speed: ASA 10 to 800.
  • Self timer: on lens barrel
  • Tripod socket centered 
  • Flash- PC  socket on left side, standard hot shoe, x-sync only
  • Power: 1.3v mercury for meter - I used a 1.5 V cell with good results.
  • Weight: 660 grams.


The meter is actuated by a button on the top right of the rear of the camera body. You can use the top-mounted display to see where your settings are centering the needle (or not), or you can use the display that appears in the viewfinder.  There is no auto setting. 

The camera has a fast 42mm f/1.7 lens.  The 42mm focal length makes it just slightly wider than the standard 50mm that we consider "normal."  By comparison, the Olympus 35 RC has a maximum aperture of f/2.8 with its 42mm lens, which makes it more compact, but definitely not as capable.  The shutter speed range on the 35 LC is B, and 1- 1/500 sec, with all of the standard intervals.  You can use any 55mm screw-on filter, and the CdS cell will give you an accurate reading through the filter. Of course, with a polarizer, you won't be able to see the maximum effect like you would in an SLR.

I find the camera to be pleasant to use. The focus ring has a lever to grip, and the focus range is just under 3 feet to infinity.  The outer ring on the lens barrel comtrols shutter speed, and the inner ring controls aperture. Each has a different feel, making the operation easier without looking.  The shutter is very quiet, and the film advance is a single stroke.  It's not as light as my Olympus Trip 35, but then again, this is a far more capable camera, not a point and shoot.  I love the logo on the front -- rather old-school, and it looks like a quality camera.   I see the 35 LC on eBay for around $100 for good examples.  As a quality camera, this is a steal.

As always, the proof is in the results. 

Marquette, MI, Tri-X

Ann Arbor, MI. Tri-X

Collingwood, Ontario, Polypan-F

Collingwood, Ontario, Polypan-F

Collingwood, Ontario, Polypan-F

Ann Arbor, MI, Polypan-F

Collingwood, Ontario, Polypan-F


Sunday, December 17, 2017

Out and about with my Zorki 2C.


 Back in March, I purchased a Zorki 2C from a Ukraine eBay seller.  I had seen my buddy Marc's Leica IIIf when we met for coffee, so I decided to find a cheap LTM (Leica Thread Mount) Soviet camera online.  I had previously owned a Fed 5, and sold it to a friend when she was looking for an affordable and reliable manual rangefinder camera.  However, the Fed 5 did not look at all like a Leica II or III.   I found a Zorki 2C and it came with an Industar 61 52mm f/2.8 lens for $28 + $18 shipping.  It arrived within a few weeks in excellent condition.  On closer inspection, there were microscratches on the lens, which would definitely cause some loss of contrast.  I eventually found an Industar 50 lens on ebay for $10 + free shipping.  That lens has a maximum aperture of f/3.5 and I have the same lens in an M42 mount.  It's definitely a good, but not a fast lens. 

The Zorki 2C has strap lugs, which earlier Zorki models do not.  For me, that was a necessity as I hate never-ready cases.  The Zorki 2C, like most of the cameras from the Soviet era, is built pretty robustly, and has a limited selection of shutter speeds.  B, 1/25, 1/50, 1/100, 1/250, 1/500 sec.  Which, when you think about it, actually cover most situations with a handheld camera.  It has a separate window for the rangefinder, and both viewfinders are eye-glass scratchers.  Certainly not as good as my Leica M2, but better than an Argus C3!

For me, it was a question that I needed to answer - "How good is a Soviet copy of a Leica II in operation.?"  The Zorki 2C certainly is a compact, manual 35 mm camera that looks very "old school" and requires no battery for anything.  You can use an external light meter or sunny-16 for setting your exposure.  On my outings with the camera, I used sunny-16, and did pretty well. One other caveat that users of any LTM camera that loads from the bottom (as opposed to a hinged back) is that you need to cut your film leader just like the Leicas required them to be.  Otherwise, your film might hang up and you will have problems. 

Other than the film leader issue, remember to cock the shutter before you change the shutter speed.  These cameras are easy to use, all-metal, and easy to find online.  I really like taking it out to shoot with, and overall, I am quite happy with my Zorki 2C.  I may look for a collapsible Elmar-like Soviet (collapsible Industar 50) lens in the future, but for now I am set with what I have. The collapsible lens really makes this a coat pocket camera.

These images were taken earlier this year on Polypan-F film, which has no anti-halation layer, and an ISO of 50.






These photos were taken on hand-spooled Ilford HP-5+ just a few weeks ago.








So, there you go.  The Zorki 2C is an affordable LTM camera that deserves a try.